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Download for free and listen to Gorillaz - Clint Eastwood. Still, Anastasio’s endlessly fun take on Gorillaz’ “Clint Eastwood,” with golden-throated trumpeter Jennifer Hartswick’s resonant wailing, pretty much ignited the night’s hottest dancing, as did her bellowing encore “Black Dog.20120 tracks in playlist, average track length: 4:36 Estimated playlist length: 1545 hours 50 minutes 56 seconds (12 tracks of unknown length)Right-click here to save this HTML file. Where the previous night’s covers dominated, Saturday’s covers – George Harrison’s “What Is Life” and The Band’s “It Makes No Difference” – were less dominant.
The fantastic new “Bounce,” which saw Anastasio’s longtime bassist Tony Markellis thumping a mad bass line in a rare stroll outside the pocket, holds big promise if it ever sneaks into the Phish rotation.Īnastasio, captained his six-member band through a big band swing number and a full-blown jazz odyssey. The first frame’s tempo-shifting “Lever Boy” highlighted the 51-year-old guitarist’s songwriting cred, with morsels like “a torrent of syllables all swirl around / as I try to decode a particular sound.” The inane, 2006 “Let Me Lie” that followed seemed to evidence the progression of his songwriting, with its too often repeated chorus “gonna take my bike out / gonna take my bike / gonna ride it slowly,” triggering a mass surge for the sold-out house’s restrooms. With the earnest eagerness of a school kid at band camp, Anastasio on Saturday dusted off several Trey Anastasio Band oldies – like the poppy “Pigtail,” the bluesy “Dark and Down,” and “Land of Nod” – and displayed some promising gems from his new effort, “Paper Wheels,” his 10th solo album. Photo by Candace Hoirgan.Ĭonducting his band largely through leaping, Trey Anastasio wrapped his band’s 13-show fall tour Saturday at Denver’s Fillmore Auditorium, the purple-chandeliered venue he opened in 1999. Trey Anastasio plays his second night at the Fillmore. Digital Replica Edition Home Page Close Menu
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